the deep past

Before archaeology was a profession, it was a publication: excavation reports and surveys were printed in small editions for learned societies. This theme holds the archive’s deep time, from alpine cave bears to the engraved signs of medieval churches. It also holds the surveys Asger Jorn commissioned for his unfinished atlas of Nordic folk art.

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1921 The Drachenloch above Vättis in the Tamina Valley is a 1921 monograph by Swiss naturalist Dr. 1964 Signes gravés sur les églises de l'Eure et du Calvados (Signs Engraved on the Churches of Eure and Calvados) is a book written in French and directed by Asger Jorn, with essay contributions from various antiquities experts and photography by Gérard Franceschi. 1965 Scania's Stone Sculpture During the 12th Century is a book on 12th century stone sculpture from the Scania region of southern Sweden by Erik Cinthio, with an introduction by P. 1995 Asger Jorn and 10,000 Years of Nordic Folk Art is an exhibition catalogue and documentation of Asger Jorn's ambitious but unfinished project to create a 32-volume encyclopedic visual survey of Nordic art from prehistory through the Middle Ages, published in conjunction with exhibitions at the National Museum in Copenhagen and Silkeborg Art Museum in 1995-96. 2005 The Bird, the Animal and the Human in Nordic Iron Age Art is the second volume in Asger Jorn's posthumous series 10,000 Years of Nordic Folk Art, featuring photographs by Gérard Franceschi and text by Norwegian archaeologist Bente Magnus examining animal symbolism in Nordic Iron Age art. 2008 Drachenloch 1917–23 is a 2008 documentary chronicle by Peter Baumann reconstructing the full excavation record of the Drachenloch cave above Vättis, Switzerland, the highest-altitude Middle Palaeolithic site in Europe.