Asger Jorn

Asger Oluf Jorn (3 March 1914 – 1 May 1973) was a Danish painter, sculptor, ceramic artist, and author. He was a founding member of the avant-garde movement COBRA and the Situationist International. He was born in Vejrum, in the northwest corner of Jutland, Denmark.

By the age of 16 he was influenced by N. F. S. Grundtvig, and although he had already started to paint, Asger enrolled in the Vinthers Seminarium, a teacher-training college in Silkeborg where he paid particular attention to a course in 19th century Scandinavian thought.

In 1936 he traveled to Paris to become a student of Kandinsky. However, when he discovered that Kandinsky was having economic difficulties, barely able to sell his own paintings, Jorn decided to join Fernand Léger’s Académie Contemporaine; it was during this period that he turned away from figurative painting and to abstract art. In 1937 he joined Le Corbusier in working on the Pavillon des Temps Nouveaux at the 1937 Paris Exhibition.

The occupation of Denmark by Nazi Germany was a time of deep crisis for Jorn, who had been deeply inculcated with pacifism. During the war he co-founded with the architect Robert Dahlmann Olsen the underground art group, Helhesten or “hell-horse,” and was a contributor to its journal. In 1939, he wrote the key theoretical essay, “Intimate Banalities,” published in Helhesten, which claimed that the future of art was kitsch and praised amateur landscape paintings as “the best art today.”

In 1954 he met Guy Debord, who was to become a close friend. The two men collaborated on two artist’s books, Fin de Copenhague (1957) and Mémoires (1959), along with prints, and forewords to each other’s work.

He went on to found the Scandinavian Institute of Comparative Vandalism in Silkeborg and contributed material to the Situationist Times.

After 1966, Jorn continued to produce oil paintings while traveling throughout Europe collecting images with photographer Gerard Franceschi for his vast archive of “10,000 Years of Nordic Folk Art”.

During the course of his artistic career he produced over 2,500 paintings, prints, drawings, ceramics, sculptures, artist’s books, collages, décollages, and collaborative tapestries.

He died in Aarhus, Denmark on 1 May 1973. He is buried in the cemetery at Grötlingbo Church, on the island of Gotland in Sweden.

-Wikipedia, “Asger Jorn”

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